S. RANGARAJAN ETC. versus P. JAGJIVAN RAM & ORS.
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A B c D S. RANGARAJAN ETC. v. P. JAGJIVAN RAM & ORS. MARCH 30, 1989 [K.N. SINGH, K. JAGANNATHA SHETTY AND KULDIP SINGH, JJ.] Cinematograph Act, 1952 (Cinematograph (Certificate) Rules, 1983. Sections 4, 5, 5A, B, C and 8/Guidelines ( 1)-(3) and notification dated January 21, 1987. High Court revoking 'U' certificate granted by Censor Board- Validity of High Court order-Duty of Censor Board-Obligatory duty of state to protect freedom of expression. Constitution of India-Articles 19( 1)(a) and 19(2)-Freedom of speech and expression-Reasonable restrictions must be justified on anvil of necessity and not quicks-Sand of convenience and expediency-Obligatory duty of State to protect freedom of expression. 'rยท E The appellant, S. Rangarajan is a film producer. He produced a Tamil film "Ore Oru Gramathile" and applied for certificate for exhi- bition of the film. The examination committee upon seeing the film refused to grant the Certificate but on a reference being made to the 2nd Revising Committee for review and recommendation, the Commit- tee hy a majority of 5:4 recommended the grant of a 'U' certificate F subject to deletion of certain scenes. On 7 .12.87 'U' certificate was granted which was challenged in the High Court by means of writ petitions. It was contended before the High Court that the film is treated in an irresponsible manner, the reservation policy of the Govt. has been projected in a biased manner G and the so-called appeal in the film that "India is one" is a hollow appeal which touches caste sensitivity of the Brahmin forward caste. It was also asserted that the film would create law and order problem in Tamil Nadu. The Writ Petitions were dismissed by the Single Judge but upon appeal they were allowed and the 'U' certificate issued to the appellant-producer was revoked. These two appeals, one by the pro- H ducer of the film and the other by the Union of India have been filed by 204 . ' .. - - -+- S. RANGARAJAN v. P.J. RAM 205 special leave of challenging the decision of the High Court. The principal contentions raised on behalf of the appellants were: (i) that the fnndamental right of freedom of free expression guaranteed under the Constitntion covers even the medinm of movies; that the opinion on the film ought not to be rested on the isolated passages disregarding the main theme and its message; (ii) That the Court should not concern itself with the correctness or legality of the views expressed in the film and the Court cannot limit the expression on any general issue even if it is controversial and that the writings of the film must be considered in a free and liberal manner in the light of the freedom of expression gnaranteed nnder the Constitution. It was asserted that the theme of the fllm is that reservation could be on the basis of economic backwardness instead of caste. A B c Counsel for the Respondents was critical about the manner in which the reservation policy of the Govt. has been condemned and the events and the characters protrayed in the film, as they are depicted in a biased manner and reaction to the film in Tamil Nadu is bound to be D volatile and likely to create law and order problem. Allowing the appeals, this Court, -I HELD: The motion pictures were originally considered as a form of amusement to be allowed to titillate but not to arouse. They were treated as mere entertainment and not an art or a means of E expression. Movie motivates thought and action and assnres a high degree of attention and retention. It makes its impact simultaneously arousing the visual and aural senses. The movie had unique capacity to disturb and arouse feelings. It has as mnch potential for evil as it was for good. It has an equal potential to instil or cultivate violent or good behaviour. [2110-E; 212G; 2130] Censorship by prior restraint is, therefore, not only desirable but also necessary. [213E] F The Censors Board should exercise considerable circumspection on movies affecting the morality or decency of our people and cultnral G heritage of the country. The moral values in particular, should not be allowed to be sacrificed in the guise of social change or cnltural assimilation. [216G-H] The Censors should be responsive to social change and they must go with the current climate. The Censors may display more sensitivity H / 206 SUPREME COURT REPORTS [1989] 2 S.C.R. A to movies which will have a markedly del
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